Sing Your Life: How Morrissey Became Music’s Greatest Lyricist
Was hoping for a Bonfire review...
Ah well.
FWD.
Update:
Added as a post on Morrissey Central:
THE SINGING VOICE IS LOVE - December 22, 2022
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Better to be a pariah with Morrissey’s solo discography than enjoy “legendary status and unadulterated adoration” with Marr’s post-Smiths output.
Have you looked at Johnny's post-Smiths discography? It is astounding and wide-ranging, hence his legendary status. I don't understand people who put him down and think it's making Morrissey look good. It's not. It doesn't have to be one or the other, Morrissey could be just as respected if he'd put the work in.
Johnny Marr has managed to maintain "legendary status" just because he wants to get on in life. No petty squabbles, childish outbursts of blame or any of that other nonense. He just works and keeps his head down.
Is it? What victory is there in being a "great artist" if people remember the real man as a petty, friendless narcissist, with only his gold records for company?Better to be a pariah with Morrissey’s solo discography than enjoy “legendary status and unadulterated adoration” with Marr’s post-Smiths output.
Is it? What victory is there in being a "great artist" if people remember the real man as a petty, friendless narcissist, with only his gold records for company?
The victory is having produced great art. And the biography of a petty, friendless narcissist is always going to be more interesting for posterity than that of a boring family man. I'm reminded of Morrissey in Autobiography recounting his ghoulish little pilgrimage to the house of the late Charles Hawtrey. (Perhaps he should've seen it as a cautionary tale).
Artists can transcend a lot of unpleasantness with their art. And things could be a lot worse than just being an irascible bachelor. Roman Polanski will go down in history as having drugged and raped an adolescent girl, but he will still have directed Chinatown, Rosemary's Baby, several great cult films, and been hugely influential.
If the victory is "having produced great art", then Marr rightly deserves his "legendary" status, considering he wrote all of the music that made Morrissey and Marr so successful.
If the victory is "having produced great art", then Marr rightly deserves his "legendary" status, considering he wrote all of the music that made Morrissey and Marr so successful.
Johnnys got a lot of stuff going on in 2023.
Maybe the misery and drama of it all would make a great film one day and maybe we wouldn't have the songs without it, sure, but it's no victory. Watching a man ruin his chances over and over, as though it's some great artistic 'choice' he's making, that's nonsense. Charles Hawtrey's life was tragic, people didn't know whether to hate him or just laugh at him, he died with barely a person to say a good word. Maybe it's because we want artists to be "eccentric" that we call it this kind of thing, whereas in a layperson it would be a personality disorder.The victory is having produced great art. And the biography of a petty, friendless narcissist is always going to be more interesting for posterity than that of a boring family man. I'm reminded of Morrissey in Autobiography recounting his ghoulish little pilgrimage to the house of the late Charles Hawtrey. (Perhaps he should've seen it as a cautionary tale).
Artists can transcend a lot of unpleasantness with their art. And things could be a lot worse than just being an irascible bachelor. Roman Polanski will go down in history as having drugged and raped an adolescent girl, but he will still have directed Chinatown, Rosemary's Baby, several great cult films, and been hugely influential.
Johnnys got a lot of stuff going on in 2023.
I'm sure he does. As has been said, he's industrious and knows how to play the game. I'm more concerned with quality here.
Yup.In that case, they both have legendary status by virtue of the Smiths, and can never lose it.
Maybe the misery and drama of it all would make a great film one day and maybe we wouldn't have the songs without it, sure, but it's no victory. Watching a man ruin his chances over and over, as though it's some great artistic 'choice' he's making, that's nonsense. Charles Hawtrey's life was tragic, people didn't know whether to hate him or just laugh at him, he died with barely a person to say a good word.
I understand. For me, they were both legends by 1987 and no-one will ever take that from them. Then Moz did it again, on his own and against the odds. All else has been icing on the cake.Don't get me wrong, I don't like it that Morrissey is flailing around ineptly and causing his own slide into infamy and irrelevance. It's particularly sad since he seems to have a great batch of songs with Bonfire (so far), and the promise of more to come with new collaborations with Alain Whyte.
All I'm saying is that even if he doesn't recover and the spiral continues, it won't erase the legendary status he's already attained as a solo artist. That is an unqualified victory, even if misery and drama were necessary for it. And this is in comparison to the far less problematic (but also less brilliant, post-Smiths) J. Marr.
You mention playing the game, others might see it as self promotion, something that Morrissey might want to try now and again.
He might, but, at 63, he may be incorrigible at this point. Old dogs and new tricks and whatnot. And worse, Rayner and Dodwell appear to be mainstays. It will probably take a miracle to get him out of this rut—in the promotion department, that is. Even as he becomes more dotty and detached, though, I don't see much of a slip in the art itself. I think a lot of the showcased Bonfire material is brilliant, a genuine recovery after some very uneven years.
Terry Hall was two months older than as, and the Specials had their first no 1 album in 2019, and all of it was new, interesting music that had something to say. Robert Smith is one month older than Morrissey, and the Cure sell out arena tours, have two new albums on the way (they have an actual record deal), and Robert is working on a solo album. f***, Robert Smith barely does any interviews (he dislikes them a lot), yet the Cure still go on with success.Yes I do like most of the bonfire stuff as well but how difficult is it to get yourself out there nowadays. James are masters at it, no record deal yet every album lands in the top 10 and they sell out arena's virtually every tour, same with New Order and Bernards older than Morrissey.
Terry Hall was two months older than as, and the Specials had their first no 1 album in 2019, and all of it was new, interesting music that had something to say. Robert Smith is one month older than Morrissey, and the Cure sell out arena tours, have two new albums on the way (they have an actual record deal), and Robert is working on a solo album. f***, Robert Smith barely does any interviews (he dislikes them a lot), yet the Cure still go on with success.
"You can't teach an old dog new tricks" is an excuse for people who aren't willing to put the graft in or have no desire to change, forgive or forget. It suits Morrissey perfectly well, which is a massive shame.
The reality is that it can be done, whatever the age of the artist. I just genuinely don't think that Morrissey has the will to do it, and expects others to put in the hard work for him.