Staircase is brilliant but unnecessarily prolonged by JC and production gimmicks that it almost loses its charm in the end. Unfortunately I can't see Mark Nevin as negatively as you do. "Perfect" and "Goodbye my love" had to catch Morrissey's interest. "Found" is almost grunge and indie rock at the same time. Tony is 100% Morrissey after all. A lightweight with bitchy, cynical lyrics. The leftovers from Bona Drag, for example, also have more charm for me than anything from 2014 onwards. The music, production and lyrics suited the artist. Today, he thinks they correspond to him and are more authentic than back then, especially when it comes to the vocal performance. A big big mistake.