
I don’t buy any of this “inside information.”
A professional manager always keeps his quiet in a situation like this. He takes his share of the profits and swallows the shit and moves on. Slagging off previous clients -- no matter how much they'd deserve it -- is a good way to lose future clients. Discretion is the key here. No-one wants to hire a manager who talks out of school.Pete Galli has stayed remarkably quiet but if he tackled everything as described here, little more could have been expected of him. He was doing all the right things. His silence can now be seen as steadfast discretion. Since, as I understand it, he was Carmen’s manager already, will parting ways with him also have negative repercussions on that relationship in the band? The statement about severance could still have sounded a few words of thanks – if what Odbmke is saying is correct about Galli’s merits and sincerity, which is my feeling too.
It looked like Galli and Red Light were building a mailing list using laylo with ticket and signed vinyl give aways.Did you get it in email? I am on some band/musician email lists and I wonder how it's even possible Morrissey doesn't have a mailing list and then I remember it's Morrissey![]()
Did you get it in email? I am on some band/musician email lists and I wonder how it's even possible Morrissey doesn't have a mailing list and then I remember it's Morrissey![]()
Maybe the problem with the Farage photo is due to the fact that M seems to have kept his head below the parapet for a few years in terms of any political announcements since the original kerfuffle. This could be interpreted as an attempt to move on. JM posting the Farage photo was dredging all this back up and not only saying 'no', but inviting ridicule and scorn and so unravelling the benefits for M of a few years of silence. It certainly kicked off a hornets' nest on twitter.......This is just bizarre, none of the recent posts by Morrissey would have been made if he didn't make them. No offense, but you are coming across as another Morrissey enabler who thinks he is not responsible for his own actions and Johnny is the cause of everything wrong in Morrissey's life. Sure, Johnny has done some things I wish he hadn't but this question has been asked repeatedly - Why was the Farage picture such a problem for Morrissey since it's someone he endorsed? The Farage picture may explain why Morrissey made his posts about Johnny, but it does not explain why he blew up the rest of the deals you said were made for him.
Morrissey has to learn how to live with the things he's said. I honestly do not care about people's politics and I don't understand people getting all worked up about who a celebrity may or may not endorse, but if he felt he made a mistake, maybe he should just address it. His habit of hiding from things he's said doesn't serve him very well. And only he is allowed to hold grudges for decades and decades but other people can't have thoughts or feelings about things he's done. It's very cowardly.Maybe the problem with the Farage photo is due to the fact that M seems to have kept his head below the parapet for a few years in terms of any political announcements since the original kerfuffle. This could be interpreted as an attempt to move on. JM posting the Farage photo was dredging all this back up and not only saying 'no', but inviting ridicule and scorn and so unravelling the benefits for M of a few years of silence. It certainly kicked off a hornets' nest on twitter.......
The questions run too deep, I'll guess. Morrissey would have a great product of it's own, if he would be able to release these tracks as a compilation like Springsteen (Tracks) or van Morrison (Philosopher's Stone). Would be lucrative for a record company too. Very very lable-spanning = not easy, I know.Anything else of note aside from Rainbow Valley?
As in, anything from this list? -
![]()
Unreleased - Morrissey-solo Wiki
www.morrissey-solo.com
Morrissey
'Viva Hate' Sessions
I Don't Want Us To Finish
Get Off The Stage
'Bona Drag' Sessions
Striptease With A Difference
'Kill Uncle' Sessions
Born To Hang
Kill Uncle
Vauxhall And I' Sessions
Honey, You Know Where To Find Me
Sharp Bend, Fast Car, Goodbye
Stay As You Are
'Southpaw Grammar' Sessions
Glass Menagerie
Laughing Anne
Untitled Instrumental Demo 1
Untitled Instrumental Demo 2
Untitled Instrumental Demo 3
'Maladjusted' Sessions
Kit
Hanratty
I Know Who I Love
Nightmare
It's Hard To Walk Tall When You're Small
'You Are The Quarry' Sessions
Home Is A Question Mark
I'm Playing Easy To Get
'Ringleader Of The Tormentors' Sessions
Action Man
'Years Of Refusal' Sessions
I'm Looking Forward To Going Back
I Was Bully, Do Not Forget Me
When I Was Young
Teresa, Teresa
talk about making you work for a sample,just lets fans hear the sample,its not uncharted on the ps3.Guys guys guys, look at what that inside info gave us and what we could have had.
Meanwhile, go here: https://www.songsofalost.world/
Put the Roman numerals in for I / XI / MMXXIV and click submit. Listen to that brief sample of the new studio version of the Cure song “Alone”.
THAT’S how you go out with a bang in your mid-60’s. THAT’S how you market. No attitude, no petty remarks, just getting on with things and making your sunset years the best they can be and making your fans just as happy.
That is one hell of a promotional rollout The Cure are doing.
A professional manager always keeps his quiet in a situation like this. He takes his share of the profits and swallows the shit and moves on. Slagging off previous clients -- no matter how much they'd deserve it -- is a good way to lose future clients. Discretion is the key here. No-one wants to hire a manager who talks out of school.
It's a sad day as Galli is widely known in the music industry as a good guy and really tried to do the best for Moz.
He was responsible for the massive Smiths reunion offer that the Mozzer signed off on. It was the first time Moz ever signed off on a Smith's reunion tour. I heard Galli even met with Marr's manager in London to try and mend the relationship.
Galli was also able to get Moz multiple record deal offers from big indie labels for Bonfire of Teenagers and Without Music the World Dies, but Moz rejected them as he only wishes to put music out on a major label. I find this to be very odd as I've always thought he was an advocate who protested against the "man" and the "major labels," but then won't sign to an indie label? Doesn't Red Light have multiple huge artists on indie labels that are massively successful? Aren't major labels dead in the rock n' roll space? Especially for a 65 year old?
There was also another big deal Galli had on the table regarding getting all the rights back to many of Moz's albums from BMG.
Galli inherited the Marr trademark issue from past management. From my understanding of the situation Galli wanted Moz to sign the paperwork splitting the trademark with Marr 50/50, but Moz thinks he should own 100% of the Smiths trademark and won't sign it. This is most likely the issue that made them part ways. Good luck with getting 100% of the trademark Moz.
On the flip side, Marr's camp is extremely dodgy. Management reached out to a very well-known singer of a major band (you can guess who) to see if he'd tour as the lead singer of "The Smiths." He of course rejected it right away. Marr's management also floated the idea of Marr touring as the Smiths to UK promoters which was also rejected.
As someone on the inside, I also know and got to see the plan and roll out Galli put together for Bonfire and it was genius. I was on some of those zoom meetings. It would have been a huge comeback for Moz and put him back on top. It started with the social media campaign and then a huge launch of a fan club that contains a ton of unreleased tracks, behind the scenes video and never before seen concerts. The fan club was scheduled to be launched in a few weeks and was already built. That would have lead into the first single from Bonfire and a big release date announcement for Bonfire. It was all scheduled to kick off the week of the upcoming tour with the album coming in 25, but Moz wouldn’t sign to the indie label. I thought all the hype about Marr was a well planned and executed PR stunt to get attention before the first single and album launch, but it was just Moz being Moz.
I actually thought that Moz and Galli were a good combo. He has the temperament and credibility as a level headed, smart, genuine, well liked manager who's in it for the right reasons. Sad day in Moz land.
Some of this seems this seems reasonable speculation and I can see M not wanting to sign up to Indy label. In his mind its a step backwards, especially as Bowie stayed on a Major until the day he died, also Marr and Suede are on Majors.It's a sad day as Galli is widely known in the music industry as a good guy and really tried to do the best for Moz.
He was responsible for the massive Smiths reunion offer that the Mozzer signed off on. It was the first time Moz ever signed off on a Smith's reunion tour. I heard Galli even met with Marr's manager in London to try and mend the relationship.
Galli was also able to get Moz multiple record deal offers from big indie labels for Bonfire of Teenagers and Without Music the World Dies, but Moz rejected them as he only wishes to put music out on a major label. I find this to be very odd as I've always thought he was an advocate who protested against the "man" and the "major labels," but then won't sign to an indie label? Doesn't Red Light have multiple huge artists on indie labels that are massively successful? Aren't major labels dead in the rock n' roll space? Especially for a 65 year old?
There was also another big deal Galli had on the table regarding getting all the rights back to many of Moz's albums from BMG.
Galli inherited the Marr trademark issue from past management. From my understanding of the situation Galli wanted Moz to sign the paperwork splitting the trademark with Marr 50/50, but Moz thinks he should own 100% of the Smiths trademark and won't sign it. This is most likely the issue that made them part ways. Good luck with getting 100% of the trademark Moz.
On the flip side, Marr's camp is extremely dodgy. Management reached out to a very well-known singer of a major band (you can guess who) to see if he'd tour as the lead singer of "The Smiths." He of course rejected it right away. Marr's management also floated the idea of Marr touring as the Smiths to UK promoters which was also rejected.
As someone on the inside, I also know and got to see the plan and roll out Galli put together for Bonfire and it was genius. I was on some of those zoom meetings. It would have been a huge comeback for Moz and put him back on top. It started with the social media campaign and then a huge launch of a fan club that contains a ton of unreleased tracks, behind the scenes video and never before seen concerts. The fan club was scheduled to be launched in a few weeks and was already built. That would have lead into the first single from Bonfire and a big release date announcement for Bonfire. It was all scheduled to kick off the week of the upcoming tour with the album coming in 25, but Moz wouldn’t sign to the indie label. I thought all the hype about Marr was a well planned and executed PR stunt to get attention before the first single and album launch, but it was just Moz being Moz.
I actually thought that Moz and Galli were a good combo. He has the temperament and credibility as a level headed, smart, genuine, well liked manager who's in it for the right reasons. Sad day in Moz land.
so you admit to some BS ? If realise your info on the Marr camp is limited and you may be wrong, you need to edit your post , do not fecking BS about someone. It seems Marr did the right thing, he has tried to get M on board in 2008 M said no, he then came to him with a trademark, M said no. So its unfair to put fecking shade on Marr like this. Anyone who knows Marr or has been around people who know him , knows he would never fecking tour as The Smiths with no M. At most its a game of Chinese whispers Marr management go fishing " Hey Brandon you toothy Mormon, fancy pretending to be M for a whole gig? Do you fancy touring with J Marr doing Songs of The Smiths with Johnny Marr and Flowers ?"What about the rest? Most of that wasn't about Johnny. Does that sound made-up as well?
why the feck did Johnny try to get M to sign off on the trademark if he intended to tour as The Smiths. It probably more like M would try that, he seems the cheaper one these days, I mean Marr didn't sign off on Smiths Rules ok. So he doesn't seem to be all about the money.If Johnny controls 100% of "The Smiths" trademark, and performs as "The Smiths" without old Mozzer, who would be suing Johnny for performing as "The Smiths" without Morrissey exactly?
This is all a bit heartbreaking. Sigh.With regards to my credibility, I’ll just say that I spoke with David T yesterday for nearly 2 hours, and leave it at that. I have receipts. To get into if “Teresa, Teresa” was going to be on the fanclub site is to miss the point that since these deals are now gone, we have 3+ LP’s worth of songs that will never see the light of day.
I understand how how hard everything I wrote is hard to believe, but it’s true. A deal was got that 1) Got BOT and WMTWD released on a legendary “indie” label, but only indie in the same sense past labels Attack and Major/Minor, etc. were “Indies”. 2) Got his Quarry to Dog catalog out of BMG and 3) got Mozzer a well deserved fat payday. While this deal was being sorted (think of it like a complicated trade in baseball, involving three different teams, a lot of time, and each side doing their due diligence) the Farage/Marr crap began in the background, which got Marr into his head rent-free again. Then suddenly the fat payday wasn’t fat enough, the deal for the 2 LP’s wasn’t big enough, etc.
And here we are. Back to posting YouTube videos on Central.
With regards to my credibility, I’ll just say that I spoke with David T yesterday for nearly 2 hours, and leave it at that. I have receipts. To get into if “Teresa, Teresa” was going to be on the fanclub site is to miss the point that since these deals are now gone, we have 3+ LP’s worth of songs that will never see the light of day.
I understand how how hard everything I wrote is hard to believe, but it’s true. A deal was got that 1) Got BOT and WMTWD released on a legendary “indie” label, but only indie in the same sense past labels Attack and Major/Minor, etc. were “Indies”. 2) Got his Quarry to Dog catalog out of BMG and 3) got Mozzer a well deserved fat payday. While this deal was being sorted (think of it like a complicated trade in baseball, involving three different teams, a lot of time, and each side doing their due diligence) the Farage/Marr crap began in the background, which got Marr into his head rent-free again. Then suddenly the fat payday wasn’t fat enough, the deal for the 2 LP’s wasn’t big enough, etc.
And here we are. Back to posting YouTube videos on Central.
Right. You are going to say that at the very least they will come out after he dies. Will they though? Will Sam be able to find the right hard drive?You say again that the albums will 'never see the light of day', when of course, they will.
Right. You are going to say that at the very least they will come out after he dies. Will they though? Will Sam be able to find the right hard drive?