Shoplifterromo sends the link:
Excerpt:
24. The Smiths, ‘How Soon Is Now?’ (1984)
Pre-Smiths, Morrissey was a regular correspondent to the NME letters page and sent in copious reviews in the hope of getting published. By the time the dank Doppler rockabilly lament ‘How Soon Is Now?’ emerged on the B-side of ‘William, It Was Really Nothing’, however, the paper hung on his every word. As the totemic act of primordial indie, The Smiths replaced The Jam (RIP) as the definitive NME band and perennial sweepers of Awards boards – they’d be voted Best Group by readers until they split, as reliably as Margaret Thatcher would win Creep Of The Year.
33. Morrissey, ‘Suedehead’ (1988)
What is this, the New Morrissey Express? In the wake of The Smiths’ split it certainly seemed so as, solo, Morrissey became something of an NME obsession, appearing on the cover of the 40th anniversary edition and having entire cover stories devoted to his annotated touring Polaroids. “It became like a fan magazine,” writer Andrew Collins told Pat Long, but all that was to change in 1992, when NME criticised Morrissey’s appearance at Madstock wrapped in a Union flag and singing ‘National Front Disco’. He wouldn’t speak to the paper for the next 12 years.
The story of NME in 70 (mostly) seminal songs
Today marks NME’s 70th birthday. As we go Platinum, let’s recount a journey that begins with the birth of the charts themselves.
www.nme.com
Excerpt:
24. The Smiths, ‘How Soon Is Now?’ (1984)
Pre-Smiths, Morrissey was a regular correspondent to the NME letters page and sent in copious reviews in the hope of getting published. By the time the dank Doppler rockabilly lament ‘How Soon Is Now?’ emerged on the B-side of ‘William, It Was Really Nothing’, however, the paper hung on his every word. As the totemic act of primordial indie, The Smiths replaced The Jam (RIP) as the definitive NME band and perennial sweepers of Awards boards – they’d be voted Best Group by readers until they split, as reliably as Margaret Thatcher would win Creep Of The Year.
33. Morrissey, ‘Suedehead’ (1988)
What is this, the New Morrissey Express? In the wake of The Smiths’ split it certainly seemed so as, solo, Morrissey became something of an NME obsession, appearing on the cover of the 40th anniversary edition and having entire cover stories devoted to his annotated touring Polaroids. “It became like a fan magazine,” writer Andrew Collins told Pat Long, but all that was to change in 1992, when NME criticised Morrissey’s appearance at Madstock wrapped in a Union flag and singing ‘National Front Disco’. He wouldn’t speak to the paper for the next 12 years.