Factory Records
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American DJ and producer born 6 August 1970 in Chicago, Robert has an expansive Musical career that started at the age of 14 with Djing and remixing from the age of 18. In his cellar Robert started organising parties that became very popular in his neighbourhood. Some of the diehard visitors of Robert basement parties were inspired by him and became also DJs, amongst them was DJ Rush others became Rapstars like R. Kelly. Robert was going to become a police officer up until he spun abroad in Italy and realized his true passion. It was actually in Italy where his female fans named him Armani because of his designer clothes he loved to wear. Robert’s Influences include Armando, Mike Dunn and Frankie Knuckles. He sees his music sticking with old styles and doing “whatever comes to mind”. Producing with labels including Dance Mania, Pushpac Productions, ACV, Brooklyn Music Limited (BML), High Octane Recordings and many more Armani has captured the ears of fans and promotors all over the world . He has played many international parties giving people his hard Techno fell. You name the place Armani has played there from Chicago to Japan.
External Links
- https://www.discogs.com/artist/857-Robert-Armani
- http://robertarmani.bandcamp.com
- http://www.facebook.com/thebossrobertarmani
- http://www.mixcloud.com/djrobertarmani
- http://www.myspace.com/traxxman
- http://soundcloud.com/djrobertarmani
Wikipedia Information
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Factory Records was a Manchester-based British independent record label founded in 1978 by Tony Wilson and Alan Erasmus. The label featured several important acts on its roster, including Joy Division, New Order, A Certain Ratio, the Durutti Column, Happy Mondays, Northside, and (briefly) Orchestral Manoeuvres in the Dark and James. Factory also ran The Haçienda nightclub, in partnership with New Order. Factory Records used a creative team (most notably record producer Martin Hannett and graphic designer Peter Saville) which gave the label and the artists recording for it a particular sound and image. The label employed a unique cataloguing system that gave a number not just to its musical releases, but also to various other related miscellany, including artwork, films, living beings, and even Wilson's own coffin.