The L-Shaped Room: Difference between revisions

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From The Face, July, 1984:
<blockquote>
"Once you've said you're miserable what's left for you to write about?<br>
Ooh. There's so much buried in the past to steal from, one's resources are limitless. I'm not saying everything I write has been written before but most of the way I feel comes from the cinema. I fed myself on films like [[A Taste Of Honey]], The L-Shaped Room."
</blockquote>


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Revision as of 17:26, 15 February 2022

Relevance

From The Face, July, 1984:

"Once you've said you're miserable what's left for you to write about?


Ooh. There's so much buried in the past to steal from, one's resources are limitless. I'm not saying everything I write has been written before but most of the way I feel comes from the cinema. I fed myself on films like A Taste Of Honey, The L-Shaped Room."


Wikipedia Information

L-shapedroom_.jpg

The L-Shaped Room is a 1962 British drama romance film directed by Bryan Forbes, based on the 1960 novel of the same name by Lynne Reid Banks. It tells the story of Jane Fosset, a young French woman, unmarried and pregnant, who moves into a cheap London boarding house, befriending a young man, Toby, in the building. The work is considered part of the kitchen sink realism school of British drama. The film reflected a trend in British films of greater frankness about sex and displays a sympathetic treatment of outsiders "unmarried mothers, lesbian or black" as well as a "largely natural and non-judgmental handling of their problems". As director, Forbes represents "a more romantic, wistful type of realism" than that of Tony Richardson or Lindsay Anderson. Caron's performance earned her the Golden Globe Award and BAFTA Award for best actress, as well as a nomination for the Academy Award for Best Actress. Cicely Courtneidge gave what she considered her finest film performance, in a role wholly unlike her usual parts; she played an elderly lesbian, living in a drab London flat with her cat, recalling her career as an actress and forlornly trying to keep in touch with former friends. The Times described her performance as a triumph. For Bell, the film marked his breakthrough as a leading actor in film and television.