Yield To The Night: Difference between revisions
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[[Category:Influences on Morrissey - Film and Television]] | |||
[[File:Yield To The Night poster.jpg | 200px | right | thumb |Yield To The Night poster]] | |||
==Relevance== | ==Relevance== | ||
A still from this film was used as cover art for The Smiths [[Singles]] collection. | A still from this film was used as cover art for The Smiths "[[Singles]]" collection. | ||
[[File:Diana Dors Yield still.jpg|200px|thumb|none|Diana Dors still used as cover art]] | [[File:Diana Dors Yield still.jpg|200px|thumb|none|Diana Dors still used as cover art]]<br> | ||
Morrissey briefly mentions the cover art featuring a still from this film (chosen by Warners) in [[Mention::Autobiography]]:<br> | |||
<blockquote> | |||
"For the sleeve of Singles Warner had used a bleakly soothing shot of [[Diana Dors]] that I had housed at Rough Trade many years ago in readiness for the next block of Smiths dynamite." | |||
</blockquote> | |||
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|WikipediaPageTitle=Yield_to_the_Night | |WikipediaPageTitle=Yield_to_the_Night | ||
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Latest revision as of 00:28, 17 February 2023
Relevance
A still from this film was used as cover art for The Smiths "Singles" collection.
Morrissey briefly mentions the cover art featuring a still from this film (chosen by Warners) in Autobiography:
"For the sleeve of Singles Warner had used a bleakly soothing shot of Diana Dors that I had housed at Rough Trade many years ago in readiness for the next block of Smiths dynamite."
Mentioned In
- Headful Of Heroes - NME (September 16, 1989)
- Sound And Vision - Movieline (1993)
- Singles
- Greatest Hits Tour 2007-2008 Pre-show Tracks
Wikipedia Information
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Yield to the Night (U.S. title: Blonde Sinner) is a 1956 British crime drama film directed by J. Lee Thompson and starring Diana Dors, Yvonne Mitchell and Michael Craig. It was written by John Cresswell and Joan Henry based on Henry's 1954 novel Yield to the Night. The storyline bears a superficial and coincidental resemblance to the Ruth Ellis case, which had occurred the previous year but subsequent to the release of Henry's novel. The film received much positive critical attention, particularly for the unexpectedly skilled acting of Dors, who had previously been cast solely as a British version of the typical "blonde bombshell".