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Blur mention in "The Face"
Posted on Tue, Feb 8 2000 at 9:59 a.m. PST
by David T. <[email protected]>
From jOHnnY:

I just came across the copy of "The Face" , no. 36 January 2000 issue, where there's a mention of Morrissey in the Editorial column:

"Damon Albarn was on telly the other night. The programme - a wonky attempt by The South Bank Show to capture the sights, the sounds, the smells of Blur in action-proved to be mildly diverting for a couple of reasons. Aside from Damon's funny attempts to appear empathic ("I feel sorry for all these people traveling this route every day," he moaned aboard the London to Colchester train, As the camera panned back to show him in First Class wearing Gucci shades), he revealed that he'd formed Blur ten years earlier as a reaction to a similar South Bank profile of THE SMITHS. On that show, MORRISSEY had expressed a view that pop music as we knew it had run its course. Damon was so incensed by this he formed a band to prove him wrong."

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Comments / Notes



Although I can appreciate Blur's work . . . Damon cannot convince me that Morrissey was wrong.

Nick Seriously
- Tue, Feb 08, 2000 at 10:52:54 (PST) | #1




We're still waiting, Damon. Screaming "woo hoo" so far seems to be his greatest contribution.

Monty Clift
- Wed, Feb 09, 2000 at 06:51:15 (PST) | #2




blur are great, the only british band (give or take a beautiful south) worthy of following in the smiths' and morrissey's footsteps... and although I must admit that british rock is as good as dead, only blur, moz and a few other exceptions are keeping it on it's feet...

sunny jim
- Wed, Feb 09, 2000 at 12:28:07 (PST) | #3




Damon screaming woohoo is his only great contribution to american radio, perhaps, but Blur single handedly revived british pop music in the mid 90's and continue to make innovative music.

I've been a Morrissey/Smiths fan for 14 years, but unlike 90% of the his current fanbase, I'm not blind to his many faults. He has produced two great solo albums, one good one, a lot of average ones, and one which may rank among the worst albums ever created. Blur has yet to produce a bomb as bad as "kill uncle". In fact, their track record is close to flawless. The fact that most Americans know Blur only by Song 2 is actually quite depressing (though in fact there is nothing wrong with the song--it was a cathartic tongue-in-cheek piss take and nothing more).

And let's not forget that back in 1994 when Blur were still earning their stripes they used The Smiths as a reference point. Damon claimed that they were the best band since The Smiths. Now, you may laugh at his presumption, but this was perhaps the greatest compliment he could have paid.

Pop music is far from dead. The Smiths may have been the best band ever, but it didn't begin and end with them.

Blurjose <[email protected]>
CA - Wed, Feb 09, 2000 at 18:30:36 (PST) | #4




This is in reference to above post, by BLURJOSE...
Yes, not all of Morrissey's solo stuff is "flawless", BUT you mentioned Blur's stuff to
be near flawless.....THE BLUR ALBUM "13" IS THE
BIGGEST PIECE OF RUBBISH I'VE EVER HEARD AND THEY
SHOULD REFUND EVERYONE WHO'S PURCHASED IT.
I'm not putting them down, I think alot of their
records are great, but MORRISSEY still rules.
Thanks.

Cubitt
NYC - Thu, Feb 10, 2000 at 10:12:13 (PST) | #5




Moz was right. To an extent. The day the Smiths split up in 1987 was the day the music died, in some ways. The fun of the 80s had ended by then, and the charts in '88 and '89 were terrible, filled with hideous Stock, Aitken and Waterman manufactured pop. There was a time before then when SAW records were good. This was also when dance started to rule the charts, in the form of acid house, the so-called second summer of love, and things would never be the same again. Johnny Marr said this and baggy, were a needed antidote to the gloom of The Smiths. Maybe he was right, but it wasn't as good and all that ecstacy hedonism dumbed everything down.

In the South Bank Show, Moz was saying pop was dying. He said what female artist could possibly follow Madonna and all she had achieved. In the same sense, there was nobody to follow Moz, there were no original pop stars left. Moz was the last original male pop/rock star and Madonna was the last original female pop star, although both were very post-modern. I can't really think of anyone since then, apart from maybe Kurt Cobain, as the last great rock star.

The 90s had lots of great music, but it was such a mish-mash and there was nobody to define the 90s in the way the Smiths did in the 80s, certainly not Blur or the Manic Street Preachers. Nirvana were the most influential, or maybe Massive Attack - the one original band, and Stone Roses, even though they were 1989 shaped much of what was to come, i.e Britpop/Oasis, which was very backward-looking. I'd say Pulp were the natural heirs to the Smiths legacy and band of the 90s, even though they actually started at the same time!

John <[email protected]>
Glasgow, Scotland - Thu, Feb 10, 2000 at 14:57:09 (PST) | #6




dear john,
NONONONO...
Massive attack, pulp & all that @#!!!e are nothing to Moz & The Smiths. Blur - The best British band of the 90's - however are decent candidates to be the pretenders to the throne that The Smiths once mounted. Oh yeah, Kurt Cobain is a rather sad example of a rock star - Cobain's hero Michael Stipe isn't: together with Morrissey, Stipe is the last of the famous rock personalities. NO CONTEST.

sunny jim
- Fri, Feb 11, 2000 at 10:03:36 (PST) | #7




Tellingly you didn't nominate Damon Albarn as a great rock star, despite your enthusiasm for Blur. I agree about Michael Stipe though. But any band that has singles such as "Stereotypes", "Charmless man" and "Tender" or mockney novelty songs like "Country House" cannot be a band of the decade.

Sure they have some good songs, but there was always a feeling of them being aloof and patronising. They are too clinical and lack feeling. Damon can't sing either. They have nothing that resonates with the truth and pathos of "Common People" "Sorted For E's and whizz" and "This is hardcore". Jarvis is a lot like Moz with his sharp lyrics and outsiders view of life. Pulp are the Smiths of now, without aping their sound and mannerisms wholesale like dull copyists such as Gene. I hope more people see that.

John <[email protected]>
Glasgow, Scotland - Fri, Feb 11, 2000 at 19:25:31 (PST) | #8




HELLO!

ALBARN CAN'T SING, BUT YOU'RE PRAISING JARVIS COCKER? Cocker has the most boring voice in pop history, while blur surely kick pulp's ass when it comes to music craftmanship. Pulp jumped on the britpop bandwagon in the mid-nineties, almost copying blur's parklife promo video for their sad hit common people... Blur go their own way, surprising fans with each great record they make, while Cocker and his team have dissapointed ever since their jump to the mainstream: Blur are supergroup-material, Pulp are wise-ass boring art-pop-material. Still I'm glad you recognise Stipe as a bona fide rock personality, but you can't expect me to like Pulp, never...
Oh yeah, and Albarn CAN sing (just listen to the universal, this is a low,...) and Blur songs HAVE GOT emotion (remember no distance left to run).

sunny jim
- Sun, Feb 13, 2000 at 14:01:33 (PST) | #9






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