Beautiful South bio mention |
Posted on Sun, May 9 1999 by
David T.
<[email protected]>
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From Derick Greene:
Successful
English band "The Beautiful South" (spawned
from '80s band "The Housemartins," which also
featured Fatboy Slim's Norman Cook) has a new biography
written by Mike Pattenden which mentions Morrissey on
a couple of pages. About their song "Hidden
Jukebox," it states:
"...a
paean to tolerance and anti-fascism which made a good point
a little clumsily. The track was partly inspired by the
fallout from solo Morrissey numbers like 'Bengali In
Platforms' and 'Asian Rut' which cast a shadow over the
singer's position regarding race issues which he refused to
clarify. It originally closed with the gentle refrain,
adulterated from The Smiths' 'Girlfriend In A
Coma'-'skinhead in a coma, let's hope it's serious'.
Unsurprisingly it couldn't be cleared and was edited
out..."
A few pages later...
"Challenged
about its mature view of life, Paul simply pointed out,
'I've got the mind and body of a 30-year-old so I write
thirtysomething lyrics.' He had been a great admirer of
Morrissey's writing until the dubious sentiments of his solo
career, and 'Worthless Lie' is definitely reminiscent of the
former Smiths singer and lyricist, with one caveat - its
refusal to wallow in the cliches of teen angst.
'An ambulance flashed passed me in the street
just yards from where we were to meet
I was half hoping you were dead meat
That it was you that was under the sheet
And as you lay there alone in the ward
Fumbling for the keys to death's door
At least I'd have summoned up the nerve
To whisper you these words
Finally. Quietly! Actually!
I love you.'
The morbidness and lovelorn melodrama are pure Morrissey,
recalling the sublime 'There Is A Light That Never Goes
Out', in particular its line 'to die by your side, the
pleasure the privilege is mine'. However, 'Worthless Lie'
features three words that Morrissey was never able to commit
himself to. Emotionally hamstrung, the Mancunian's laments
never declare 'I love you'. His tattooed lads and desperate
shop girls experience desire, longing, but never constancy.
They meet only fleetingly, if they meet at all."
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Comments / Notes
ahem...."in my sorry way I love you"
Corey <[email protected]> (dl9.lucent.bedford.net)
Pennsylvania - Mon, May 10, 1999 at 18:32:35 (PDT)
Yes, he's a little off with his summation of Morrissey's characters. While reading this chapter I got the impression that the connection between Paul Heaton's writing and Moz's, albeit somewhat warranted, was a little forced and that the writer was really more interested in using his knowledge of Morrissey rather than making any highly relevant point.
Derick Greene
(114.117.223.209.globalpac.com)
- Tue, May 11, 1999 at 09:06:43 (PDT)
how many songs are there where Moz says "i love you"...
but you won't change the way I feel
'Cause I love you
maladjusted matt <keith_talent> (209.217.64.130)
- Tue, May 11, 1999 at 13:12:54 (PDT)
What about the line in Now my Heart is Full.
"Ah, but bunnie I loved you"
I'm sure Morrissey can say I love you. :)
Dave Strohm <[email protected]> (ppp16984.on.bellglobal.com)
Canada - Tue, May 11, 1999 at 19:17:17 (PDT)
Anyone noticed he says "Thank you - I love you... Goodbye..." after the last song in "Beethoven Was Deaf"...
Henrik Rydéhn <[email protected]>
? - Wed, May 12, 1999 at 08:00:08 (PDT)
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